The Great Mouse Detective (Mystery in the Mist Edition)

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From the creators of THE PRINCESS AND THE FROG and THE LITTLE MERMAID comes the story of a clever little hero on a great big adventure. Join the Sherlock Holmes of Mousedom on a heroic journey unraveling clues through London. If you like Sherlock Holmes, you’ll love THE GREAT MOUSE DETECTIVE. When the diabolical Professor Ratigan kidnaps the city’s master toymaker, the brilliant Basil of Baker Street and his trusted sidekick Dawson set off to track down Basil’s lifelong nemesis. Little do they know that the evil rat’s trail leads all the way to The Queen at Buckingham Palace! Get on the case with Basil, the master of disguise, as he tries to elude the ultimate rattrap and foil the perfect crime. Now digitally remastered, fully restored and complete with exclusive bonus features, THE GREAT MOUSE DETECTIVE is better than ever in the Mystery In The Mist Edition!|After a four-year period of story development, animation took just over one year to complete. This remarkably short production span was possible due to new efficiencies in the production process (such as video tests and computer-assisted layouts and graphics), and an increased emphasis on story development prior to the start of production.|The score was written by composer Henry Mancini, who also collaborated on two of the three featured songs. The third song, “Let Me Be Good To You,” was written and performed by Melissa Manchester.|One hundred and twenty five artists were involved in making the film.|An innovative application of computer technology can be seen in the climactic scene where Basil faces Ratigan in a final confrontation inside the turning and thrashing gearworks of Big Ben. The 54 moving gears, winches, ratchets, beams, and pulleys were literally drawn by the computer and create a unique background for the characters, who had been animated in the usual way.

Review

Trivia:After a four-year period of story development, animation took just over one year to complete. This remarkably short production span was possible due to new efficiencies in the production process (such as video tests and computer-assisted layouts and graphics), and an increased emphasis on story development prior to the start of production.

The score was written by composer Henry Mancini, who also collaborated on two of the three featured songs. The third song, Let Me Be Good To You, was written and performed by Melissa Manchester.

One hundred and twenty five artists were involved in making the film.

An innovative application of computer technology can be seen in the climactic scene where Basil faces Ratigan in a final confrontation inside the turning and thrashing gearworks of Big Ben. The 54 moving gears, winches, ratchets, beams, and pulleys were literally drawn by the computer and create a unique background for the characters, who had been animated in the usual way. –Walt Disney Studios Home Entertainment

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